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The Miraculous, by Raphael Rubinstein
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The Miraculous presents the artistic avant-gardes of the last five decades as a tapestry of incidents as fascinating and unlikely as any collection of myths or legends. Thinking more of Kafka's Parables than Vasari's Lives of the Artists, Rubinstein composes a series of micro-narratives celebrating the mystery and ingeniousness of these human activities which, for lack of a better term, we call contemporary art.
Each of the fifty episodes in The Miraculous is a richly detailed telling of the circumstances surrounding a single work of art; only the name of the artist is withheld until the end of the book. As Michael H. Miller wrote describing the book in ARTnews: the works take on the icy detachment of a Lydia Davis story, a floating concept with no clear context. Distilled to only an idea, the pieces bask in their more intriguing narratives and separate themselves from the heavy baggage of authorship and intention.
Includes writing on fifty artists such as Joseph Beuys, Yoko Ono, Marina Abramovic, Lee Lozano, Tseng Kwong Chi, Cindy Sherman, David Hammons, and R.H. Quaytman.
- Sales Rank: #193408 in Books
- Published on: 2014-09-25
- Original language: English
- Dimensions: 8.50" h x 5.25" w x .25" l,
- Binding: Paperback
- 72 pages
Review
The book is a series of vignettes about iconic conceptual and performance art pieces, offering detailed histories of the creation of these works only with most of the relevant proper nouns removed. For instance, Yoko Ono's Cut Piece: [A] Japanese woman dressed in an elegant black outfit presents herself alone on the stage of a famous concert hall on 57th Street in New York City. She drops slowly to her knees and remains in this position as members of the audience make their way to the stage one by one. Using a pair of shears the artist has provided, they proceed to snip away at her clothing...until she is left nearly naked, holding to her body the few scraps of clothes that remain. Or Maurizio Cattelan: In 1992, an Italian artist raises money to create a foundation, the sole purpose of which is to pay another artist to neither create nor exhibit art for an entire year...Unable to find anyone willing to accept a grant to cease all artist activity, the artist keeps the money for himself.
The result is not quite an art-historical guessing game (there's an index in the back, so the artists in question are not exactly a mystery). But entirely divorced from the idea of a specific creator, the works take on the icy detachment of a Lydia Davis story, a floating concept with no clear context. Distilled to only an idea, the pieces bask in their more intriguing narratives and separate themselves from the heavy baggage of authorship and intention.
Everything takes on a more abstract quality, said Dushko Petrovich, one of Paper Monument's founders and the book's co-editor with Roger White. It s hard to say exactly what reading the book does. It s all factual and true, but it reframes some of these works. This book is not entirely taking away the name of the artist, but covering it up for a minute to think about the work as its own thing. It sort of increases their strangeness. --M.H. Miller, ARTnews
Once an artist becomes a name, the very fact of his or her fame can obscure a clear-sighted view of actual works, past or present. This isn t necessarily a problem, since an acclaimed artist s renown itself contributes to the context in which an emerging body of work will be seen and considered. And, of course, it is often productive to assess an artist s new efforts in light of previous accomplishments. But the fantasy of the innocent eye is compelling because, in our information-glut age, becoming over-informed is always just a few clicks away.
In The Miraculous, published by Paper Monument, poet and art critic Raphael Rubinstein describes 50 artworks realized in the last few decades. The texts in this beautiful little book range from a sentence or two to a couple of pages. Many of the works in question which are often conceptual and/or performative in nature were in some way creative watersheds: they located the artist s voice, pointed the way forward, raised the stakes of the ongoing imaginative investigation or (in one case) brought it to an end. And with each description, the name of the artist is nowhere to be found.
In its entirety, one of the shorter entries runs:
A successful German painter who enjoys provoking outrage buys an out-of-the-way service station in Brazil and renames it in honor of a notorious Nazi long rumored to have escaped to South America. Soon, photographs begin to circulate of a forlorn building on the façade of which have been emblazoned the words Tankstelle Martin Bormann; (Martin Bormann Gas Station).
An index reveals all the artists identities; some of their stories are quite familiar, others not so much. But withholding names in this manner drives home the point: our perception of a work is distorted when we know who made it, whether that person is celebrated or obscure. Uninformed of authorship, the reader of The Miraculous confronts (through Rubinstein s pellucid prose) the works themselves in all their wondrous weirdness, far from both the blinding glare of acclaim and the shadows of the market and its machinations. --Stephen Maine, artcritical.com
About the Author
Raphael Rubinstein is a New York-based poet and art critic. Among his books are Polychrome Profusion: Selected Art Criticism 1990-2002, The Afterglow of Minor Pop Masterpieces, and The Cry of Unbalance. From 1997 to 2007 he was a senior editor at Art in America, where he continues to be a contributing editor. He is currently professor of critical studies at the University of Houston School of Art. In 2002, the French government presented him with the award of Chevalier in the Order of Arts and Letters.
Most helpful customer reviews
0 of 0 people found the following review helpful.
A great read and a refreshing perspective on art
By alton dulaney
Hard to put down! A great read and a refreshing perspective on art.
1 of 3 people found the following review helpful.
Five Stars
By Christopher Cascio
great book by a great writer
0 of 1 people found the following review helpful.
Five Stars
By kelly Darr
good !
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