[G453.Ebook] Download PDF Show Boat, by Edna Ferber
Download PDF Show Boat, by Edna Ferber
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Show Boat, by Edna Ferber
Download PDF Show Boat, by Edna Ferber
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- Sales Rank: #8337738 in Books
- Published on: 1926
- Binding: Hardcover
- 398 pages
Most helpful customer reviews
25 of 26 people found the following review helpful.
Neglected, Often Surprising and Subversive Masterpiece About Strong Mothers and Daughters
By Sam Chell
The popularity of the Kern-Hammerstein musical, academia's refusal to include the work in the "canon" of regularly-taught American novels, the popular assumptions about the novel's datedness, sentimentality and racial stereotypes--these are some of the factors that have contributed to the comparative neglect of one of the most original, engaging narratives by an American novelist.
The so-called "modernist" tradition is one that casts suspicion upon any narrative that might be termed "melodramatic" in its plotting, tone and style. It's true that Ferber plays out the emotions of her characters, but she's equally adept at keeping those emotions in play. Her voice is so vital and strong, her narrative so multilayered in its social-psychological-cultural-archetypal meanings, that an open-minded reader cannot fail to become swept up in the force of her storytelling. Moreover, in her characterization of Magnolia, who defends her unstable marriage against her daughter's staid one and who prefers the tenderloin districts to the churches and parks of Chicago, Ferber reveals the subversiveness of a true artist, making the reader question common assumptions about the dual gods of "success" and "progress."
The river and the theater are not only Ferber's favorite settings but her metaphors for exploring the life of consciousness and explaining the forces that shape personality. Even when Gaylord and Magnolia abandon the river and take up residence in Chicago, the river lives in them, exposing by its constantly-felt presence what is alive and dead, what is enduring and transitory. Magnolia's daughter and her husband, the "new" American theater of New York, the "reformed" Chicago--all these are condemned less in the surface narrative than in the energy Ferber brings to the subjects that are closer to her heart: characters and places whose life traces its wellsprings to the river.
This is melodrama ("music drama') in the best sense of the word--Ferber's prose evoking the musical elements that invest the narrative with fullness and necessity. The African-American spirituals and folk songs that provide Magnolia's education in turn inform the reader of her values and understandings through the course of her life's journey. Moreover, the narrative's movement matches the river's: it creates unexpected channels, moving forward in time, then backward, a device that enables the narrative to provide a perspective on the past as something familiar, as a place we already know and treasure, a "spot of time" we've been missing and to which we wish to return.
But the melodrama also works here because Ferber constantly blurs the line between theater and life, letting us in on the "backstage" action that goes into playing a role and preparing a face. Magnolia blossoms only when she is on the stage, and Gaylord is never closer to authenticity than when he becomes an actor long enough to woo and marry Magnolia. Because Ferber presents her characters as deliberately assuming melodramatic parts, we don't see them as stereotypes as much as fellow beings taking on the roles required of us all to deal with life's changes as symbolized by the river.
The musical version has a happy ending, with no deaths, no permanent damage. The sentiments in Ferber's original, on the other hand, are at once higher and deeper--equal parts elegy, stoicism, endurance, resolve. Ferber's last sentence describing Magnolia is a replication of an earlier sentence describing her mother: "The river, the show boat, the straight silent figure were lost to view." By this time Ferber's words have become such an integral part of the reader's consciousness that there's little chance any of these three images will be lost to view.
2 of 2 people found the following review helpful.
A wonderful time
By Charles R. Ostergrant
I first read this book back in the dark ages (high school) and never forgot it. What I did forget was the scope and depth of the story, the fascinating subject of river boats, the commentary on society, marriage, deception, bravery - Oh I could go on and on, but suffice to say I enjoyed SHOW BOAT 100 times more now that I'm such an old phart with so many memories. The movies based on this book were swell, but the book is magnificent.
9 of 9 people found the following review helpful.
A classic for good reason
By Nina M. Osier
Andy Hawkes has spent his whole adult life working on Mississippi boats. When he marries New England spinster Parthenia Ann, he could hardly be choosing a less likely partner; and when he decides to stop operating a passenger steamboat in favor of a floating theater, he could hardly encounter greater opposition. Yet once the practical "Parthy" realizes what an excellent business a show boat can be, she invests herself in the Cotton Blossom just as fully as does Cap'n Andy. They raise their only child, Magnolia, on board among the show boat's colorful players and crew members. Eventually a grown-up Magnolia steps in to replace a departed cast member, and dashing gambler Gaylord Ravenal - down on his luck and fascinated by the lovely young woman whom he glimpses just before hearing Cap'n Andy's job offer - plays opposite her. They marry, much against Parthy's wishes, and become the parents of a daughter born on the river where three states border. So they name her Kim: Kentucky, Illinois, Missouri.
Those are the bare bones of this book's first half. They do not begin to describe the vividly portrayed characters, or the rich sense of time and place that Ferber's writing conveys. The book's second half, which deals with Magnolia and Gaylord and their daughter after they leave the Cotton Blossom, is just as rich; but it is a bittersweet richness. An era is passing into history, and Ferber tells that story with immediacy that makes it fresh reading although this book was first published in 1926. A classic for good reason!
--Reviewed by Nina M. Osier, author of the "High Places" series from Write Words
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